Elvis Presley’s Tour Dates in 1956

The music industry in 2016 is very different from the music industry in 1956, but one thing is still true: Touring is practically a must if you want to find new fans. Elvis Presley’s career was just starting to soar in 1956. It was an incredibly busy year, both professionally and personally. Not only did he record and release some of his most legendary songs, but he also released his first album and made his first movie. He also purchased his first home. Fans heard his music on the radio and watched his national television appearances, but Elvis also gained thousands of new fans by doing quite a bit of touring in 1956. Including travels to New York City and Los Angeles to appear on television shows, Elvis made over 110 tour stops in 1956. That’s quite a lot – and not only that, he often performed several times in one day, performing, for example, in the afternoon and evenings (bringing the number of concerts he actually performed in 1956 up to over 200). That workload is almost unheard of today; most artists only perform once per tour stop. The map below gives an idea of Elvis’ tour stops in 1956. Just based on traveling from city to city (not venue to venue) to perform at a concert, Elvis traveled roughly more than 41,000 miles (over 67,000 km) and visited 26 states as well as Washington D.C.   View Full Size Travel Map at Travellerspoint Here are a few more details about Elvis’ 1956 tour: Elvis’ first performance in 1956 took place in St. Louis, Missouri on January 1. His final performance of 1956 was December 15 and was in Shreveport, Louisiana, at the Louisiana Hayride. He often returned to Shreveport for Hayride performances between January and March. His last regular appearance on the Hayride was in March, followed by his final appearance there in December. At the end of the December show, Horace Logan first made the now legendary phrase, “Elvis has left the building.” Elvis performed on a variety of stages in ’56. He performed everywhere from TV sets to auditoriums to high school gymnasiums to a university’s field house. The size of the towns varied, too, from major cities like Atlanta, Detroit and San Diego to small towns like Randolph, Mississippi (not far from Tupelo, where he was born). Elvis returned to Tupelo for a concert on September 26,...
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Elvis Presley and the Grammy Awards

Seeing Elvis’ many awards and Gold and Platinum Records is one of the most memorable aspects of touring Graceland. Whether it’s the Hall of Gold – a long hallway full of Gold records and awards – or the Trophy Room in the Racquetball Building – where awards and Gold, Platinum and Diamond Records cover the walls up to the ceiling – both locations leave fans in awe of the King of Rock ‘n’ Roll. Right now at Graceland, fans can see three of Elvis’ most prestigious awards: his Grammy Awards, all of which he won for his gospel music. He was nominated for many more songs and albums, though – do you know which ones? The 58th annual Grammy Awards are Monday, February 15, so let’s take a look at these awards and how Elvis has been honored. The National Academy of Recording Arts and Sciences present the Grammy Awards to recognize outstanding achievement in the music industry. It’s the music equivalent to the Academy Awards, given for achievement in film, the Emmy Awards, for television, and the Tony Awards, for stage performance. The first Grammy Awards ceremony was in the spring of 1959, so some of Elvis’ earliest hits (like “Don’t Be Cruel,” “Heartbreak Hotel” and many more) couldn’t have been nominated. But Elvis was nominated in that first year: “A Fool Such as I” was a nominee for Record of the Year (which lost to Bobby Darin’s “Mack the Knife”) and “A Big Hunk O’ Love” was nominated for both Best Performance by a Top 40 Artist and Best Rhythm and Blues Performance. In 1960, the King of Rock ‘n’ Roll earned several Grammy nods. “Are You Lonesome Tonight?” was nominated for Record of the Year; Best Vocal Performance Single Record or Track, Male; and Best Performance by a Pop Single Artist. The instrumental “The Theme from A Summer Place” won that year for Record of the Year. Also in 1960, “G.I. Blues” was nominated for Best Vocal Performance Album, Male; and Best Sound Track Album or Recording of Original Cast from a Motion Picture or Television. The next year, “Blue Hawaii” was also nominated for Best Sound Track Album or Recording of Original Cast from a Motion Picture or Television. It lost to the “West Side Story” soundtrack. Elvis became a Grammy winner in 1967. His second gospel record, “How Great Thou Art” won Best Sacred Performance....
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The Artist and the Businessman: Elvis Presley Meets Col. Tom Parker

Elvis Presley wasted no time winning over fans right from the beginning, thanks to his voice, energetic stage show, style, revolutionary sound and charm. But the music business is just that – a business – and every artist needs a manager to help take care of the details. From mapping out a tour route to arguing for higher appearance fees, the manager takes care of the business side of things so the artist can focus on the music. At the beginning of Elvis’ career, he met a man who would help him see his goals through to fruition. On February 6, 1955, Elvis met the man who would become his third and final manager: Col. Tom Parker. On February 6, 1955, Elvis and his band performed two shows at Memphis’ Ellis Auditorium, a venue the guys knew well. At both the 3 p.m. and 8 p.m. shows, Elvis and his band, Bill Black and Scotty Moor, shared the bill with country star Faron Young, “Beautiful Gospel Singer” Martha Carson, Ferlin Huskey “and many more,” as the poster promised. Elvis, still a young performer, is billed last, as “Memphis’ Own.” The poster included that he’d perform his regional hits “Heartbreaker” and “Milk Cow Boogie,” which he did, along with “That’s All Right” and “Good Rockin’ Tonight.” A bit of history happened in between those shows. Oscar Davis, an associate of Col. Tom Parker, had seen Elvis perform in October 1954, and met Elvis backstage through Elvis’ manager, Bob Neal. Neal knew Parker, who had many, many connections in the entertainment business, could take Elvis to the next level, and wanted the young singer and the promoter to meet. Davis raved about Elvis to Parker and his fellow associate, Tom Diskin. Parker and Diskin checked out Elvis’ performance on the Louisiana Hayride on January 15, 1955, but didn’t meet Elvis and his band just yet. He did, however, reach out to Neal. That fateful meeting took place on February 6, in between Elvis’ two sets. Neal, Parker, Diskin, Davis and Sun Records’ Sam Phillips met across the street from Ellis Auditorium at a café called Palumbo’s. Elvis and his bandmates sat in for a portion of this meeting. The meeting wasn’t exactly a success. Parker explained he had the connections to take Elvis’ career to the next level, connections that a small label like Sun didn’t have. Naturally, Phillips didn’t like hearing...
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